Showing posts with label Pat Boone. Show all posts
Showing posts with label Pat Boone. Show all posts

Friday, November 22, 2024

The Great Christmas Record Odyssey, Ep. CXXIV

A true behemoth of a Holiday album awaits thee, music-lovers. Strap yourself in. . .

Album Title Winter Wonderland
Album Artist:  Various Artists


Kids, I've had this double-LP release on my list for years.

Years.

I took one look at the track list on this this thing and realized it wasn't something that could be realistically passed up. Alas, seeing how it was out of print I wasn't thrilled with paying Amazon's exuberant, post-Covid price. Eventually, over the summer, it dipped down to like $22 and I pulled the trigger on it. Sadly it's not pressed on colored vinyl - which would have been a nice, if not trivial, bonus.

Considering most of the songs on here are well-known, I figured the easiest thing to do here is lean hard into those tracks on this album that aren't seasonal favorites. I mean, at this point in the grand scheme of things, what more am I going to say about Brenda Lee's 'Rockin' Around the Christmas Tree?' Who the hell am I to comment on something like that? 

Some random guy dying on some random hill in some obscure corner of the World Wide Web, that's who. 

So, taking this into consideration, I'm going to break each of these four sides down one at a time and introduce you to some of the Holiday jams on here that you may or may not have heard. . .

The inner record sleeves for this release are pretty fancy, too.
Disc 1, Side A.
They come out of the gate strong with the first two songs, no question there. But Track 3 pumps the brakes pretty damn fast. This whole compilation is definitely themed, showcasing Christmas standards from the 40's - 60's. You have a whole splattering of familiar faces (looking at the track listing on these four sides, you can see who I'm talking about), but then you're presented with a handful of 'filler' artists that were probably label rank-and-file back in the day. Paul Anka is one of these guys.

Paul himself doesn't sound all that bad (for a '50s teen idol, I guess), but his backup singers - who introduce 'I Saw Mommy Kissing Santa Claus' and then make weird little appearances throughout the following minutes - are really, really bad. You know that old elementary school taunt/chant, "So-and-so and so-and-so/in a tree/K-I-S-S-I-N-G"? That's essentially their delivery, except it sounds like the whole gaggle of hens got into a box of Franzia and had their way with it.

Billy Fury - who, honestly, sounds like he should be a G.I. Joe instead of a '50's crooner - isn't one I usually associate with Christmas, but 'My Christmas Prayer' is decent. I can't find any fault in it, really, but I've never heard this song before and I'm pretty sure I know why: this is 97% '50s teen ballad and 3% Christmas. If it weren't for the jingle bells playing softly in the background, and maybe half a dozen mentions of 'Christmas' and 'Snow' in the lyrics, you wouldn't think this was a Christmas song. If you were driving around in your car and this was in the background, you'd probably never know.

'Blue Christmas' wraps up the end of Side A, but for whatever f***ing reason the geniuses behind this compilation decided to pass on the quintessential version done by Elvis, opting instead for Bobby Vee. Bobby is to Elvis as The Chad Mitchell Trio are to Bob Dylan. 'Are they both folk artists?'  Yeah, sure. But one of them is Bob frickin' Dylan, and the others can be found collecting dust in your local Goodwill. While the arrangement itself isn't bad objectively, whoever recorded this dual-layered Bobby's vocals terribly, so it sounds like he's singing with his twin instead of just boosting his own vocals. 

So like The Proclaimers, if you will. But only they're a Chad Mitchell Trio-tier act covering a Holiday staple done by someone far superior.

Disc 1, Side B:
Every song on this side is a  Holiday banger. Every. Last. One. You've heard 'em all, they're great.

Move along, folks.






Disc 2, Side C:
This one defies all rational thought: who in their right mind would include 'Rockin' Robin'' on a Holiday album?  

When I first spotted this on the track list, I thought to myself, "Well, maybe they recorded an alternate version, where the lyrics are adjusted slightly to make it Christmas-y. And maybe they added jingle bells or something."

Nope. 

It's the same version you've heard your entire life. Did they throw it in there just because the rest of the album is mostly '50s music?  I didn't know folks could do that, just throw whatever songs you want onto a Holiday compilation.  

I really like Led Zeppelin's 'Good Times, Bad Times' but I'm NOT about to dump it into one of my Holiday playlists. Good f***ing Lord.

Pat Boone has never been one of my favorites, but his version of 'Here Comes Santa Claus' is easily over-looked. Not stupendous, but meh - it's unoffensive filler that's easily overlooked if not short in duration.

Bobby Vee closes out yet another Side with yet another lackluster version of a song done soooo much better by so many other performers in existence. It boggles the mind why the producers of this compilation leaned so hard into this guy.

Seriously. They couldn't pull the trigger on another Sinatra or Bing song? Those guys are BOTH already in this compilation, and their versions are leaps and bounds above this one.

Disc 2, Side D:
Again, another side of Christmas classics (thank God.) Just take a gander at the track listing here - each one of those is a song you know every note to, it's ingrained in your soul at this point. I don't have a single complaint on this side either.

So, after listening to four sides of this jam-packed, Holiday compilation, I'm not regretting this purchase at all. Odd music selections aside - and damn, some of those were really, really weird - I will give the producers props for creating a compilation that flows incredibly well. This era in Christmas music was perfectly captured in this release, and, while some of it could have definitely been stricken in favor of other (better) versions, this stands as worthy addition to one's Holiday collection.


. . . . seriously, though - 'Rockin' Robin.'  I mean, c'mon.

VERDICT:  8/10 - Awesome (A cavalcade of awesome with a sprinkling of lackluster, Holiday bullshit thrown in for good measure. This compilation could have trimmed off the fat and been whittled down to one record and it would have easily been a 10.)

- REMAINS IN CIRCULATION -

- Brian

Thursday, December 17, 2020

The Great Christmas Record Odyssey, Ep. LXXIV

 Okay, guys.  Let's get this one over with. . .

Album Title Home for the Holidays
Album Artist:  Various Artists


So, again from the depths of the Bethesda stack of vinyl I've been working through this year, comes this shining Yuletide turd.  I knew this one was going to be a comically bad Christmas album the second I picked it up.  Just take a gander at the cover art on this sum'bitch - a young couple showing up on the doorstep of an elderly woman (one would assume being the mother or grandmother of one of the two younger adults), not really ridiculous by any means.  So what's the big deal?  

The small mutant the man is carrying.

Behold Kuato.
This little kid - which is, I believe, the love spawn of the couple - is so poorly illustrated that it resembles not so much a young child as it does Kuato from Ah-nold Schwarzenegger's 1990 so-bad-it's-good sci-fi thriller, Total Recall.  The likeness is so uncanny that it borders on copyright infringement, but, you know, this album was released in 1978, thirteen-ish years before the movie.  Whatever.

Anyway, poorly executed cover art aside, this release promises to be absolutely God-awful by just observing the featured artists on the track listing.  I mean, just look at this train wreck - this is a Who's Who of a Holiday Dumpster Fire:


Pat Boone kicks things off on Side A, Track 1, with a warm-milk version of 'Hark the Herald Angels Sing,' which, you know, is supposed to be a song to praise the birth of Christ, and sung triumphantly. . . not sung like you were trying to softly console someone on their death bed.  Lawrence Welk similarly puts everyone in the lobby to sleep on 'Silver Bells,' with his living room organ (you know, the type your grandparents had) whirling with warbly abandon. 

A handful of instrumental tracks, while not necessarily horrible, are so boring that they fade into the background (the exception being Robert Shaw's take on 'Hallelujah' from Handel's Messiah, which is decent.)  I mean, even actively listening to his album - like you do when placing a record on a turntable - it's still easy to overlook when the instrumentals begin and end on this album.  They're short to begin with, and just kinda bleed together in an endless sea of laize-faire Holiday blah-ness, almost serving as filler between the total disaster bombs that are the vocal tracks on this release.

And Holy Goddamn Shit, another children's choir?  What's up with these vintage Christmas album producers?  As bad as some of these other acts may be, they throw in a frickin' children's ensemble to perform 'Jingle Bells.'   This, without the common decency to even try and sound like a church choir (which, at the very least, is somewhat excusable - maybe sing a soprano-ish 'Silent Night' or something.)  No.  These little assholes sound more like an unrehearsed 3rd grade class in a crappy school Christmas program, shouting (yes, not singing) at the top of their lungs.  This is only somewhat cute when your own kid is in the 3rd grade class performing, and you've got a sweet vantage point from which to record some home video.  

Even then, the entire experience is far from 'awesome.'  It's tolerable at best.

So yeah, on an adult, at-the-time 'contemporary' compilation, throwing a bunch of children shout-singing onto the track listing is a completely stupid move.  It's a slap in the face (which, admittedly, would wake you up from this otherwise snooze-fest of a record.)  To put a cherry on top of this corn-riddled, steaming pile of shit - this children's ensemble is none other than the f***ing Brady Bunch.  Like, from television.  Recording a frickin' Christmas song on an otherwise made-for-adulst compilation.  

I hope this record producer was dragged out into the alley behind the studio and beaten to death with his own shoes.

So is there any saving grace on this album?  Yeah, yeah there is.  

Loretta Lynn has a spunky little number on the opening track of Side 2, 'Santa Claus is Coming to Town,' delivered in her feisty, I-just-walked-into-the honky-tonk-to-confront-my-man-cheating-on-me signature style.  If you like Loretta Lynn - and I, for one, love me some Loretta Lynn - this song is exactly what you'd expect from her, which helps elevate this Christmas compilation to a very small degree.

And then comes from motherf***in' Bing Crosby, who slams down his classic version of 'It's Beginning to Look a Lot Like Christmas' like an angry dad with a few beers in his system coming home, earlier than anticipated, to find his teenage kids throwing a party and trashing his house.  They thought he'd be gone all night, but nope - here he comes, bursting through the front door, putting the fear of God into the likes of Liberace, Roger Williams, and Pete Fountain, who all drop their red Solo cups and stare like dear in headlights.  Shitty recording artists suddenly make a mad scramble to bolt out of the house without being caught and having their parents called, leaving behind clear evidence of their God-awful Holiday songs.

And yes, order is finally restored, now that Dad is home.  But the house, dear readers, is nonetheless still trashed.

VERDICT:  3/10 - Seriously? (Bing and Loretta come home earlier than anticipated and break up an out-of-control teenage party at their house, thereby scoring a couple sympathy points, but far too late to save their home from being destroyed with Yuletide shittiness.)

- SHELVED -

- Brian