Showing posts with label Dollar Bin. Show all posts
Showing posts with label Dollar Bin. Show all posts

Sunday, November 16, 2025

The Great Christmas Record Odyssey, Ep. CXXXV

Strap yourself in for another spin around ye olde turntable, gang. . .

Album Title Holiday Greetings
Album Artist:  Birchwood Chorale


I'm not entirely sure where this one came from. I have a stack of, like, forty un-reviewed LPs downstairs in my storage room that I pull from every year for new posts on this site of mine, and because of this I never made it out to Radio Wasteland this year - my local record store - to pick up any more. Probably the first time I haven't done so in like six or so years, Jim most likely thinks I'm dead. Anyway, if I had to guess, I'd wager I picked it up from their Dollar Bin at some point int he past, because it was still shrink-wrapped with the price sticker (a whopping 99 cents) still on it.

Brand new, never played, about as Mint as a forty-five year old record can be.

. . . this can't be a good sign.

So kicking things off on Side A on this sum'bitch, I realized that this album cover art was a little misleading. I assumed there'd be a stand-out, female vocalist on this release. Some chick who, as the picture indicates, enjoys her Holidays with some LCD in her egg nog. Not so much the case, though - I should've caught the 'Chorale' at first glance and realized then that it was a choir-based album, and not some churchy-type tripping balls on yuletide acid.

We've reviewed a ton of 'chorales' on this blog over the years, and the sound majority of those generally sound like church choirs, landing anywhere on the 'professional' to 'Cousin Frank has a microphone-to-reel set up and for $40 and a case of Schlitz he said he'd record your church group next Thursday at 3pm' scale. This doesn't quite sound like a church choir to me, despite some of the religious carols that are being sung here. No, this is more dramatic, like some 'touring' group that puts on a show at your local civic or arts center, and you go with your significant other for like $10 a ticket and sit around a bunch of other folks who equally were in the same 'Eh, it doesn't sound like an awesome time, but if you're bored we could go and check it out' boat.

That's the sort of show where the vocal arrangements are artsier than they need to be, in order to display the singers' range - which, to be fair, is pretty good here. No doubt these folks can sing, and the recording quality is on point for the time: it's mixed well, no dramatic highs and low that make you spill your drink out of fear or anything like that, and the male and female vocals emerge out of the left and right channels (you would want to listen to this in Mono for sure.) There's no music accompaniment except for a soft piano here that serves more as a grounding agent than anything else, so most of the heavy lifting is done by the chorale.

Not falling into the pitfalls of the more-common-than-it-should-be-practice of 'Holiday Originals,' the folks who laid out this track list crammed it full of Holiday staples. This make sense, because if you were going to your local civic center to watch this three-hour choir concert (because you're old now and that's what passes as weekend entertainment at this stage in your life) and you didn't recognize any of the songs, you'd probably have a long, awkward ride home afterwards. And you'd be sleeping on the couch.

You could probably listen to one song off this record and be like, "Okay, I get it." But after nearly forty-five minutes, or seven hours, or however damn long this album is, I feel a little like I'm hallucinating myself. Has this been the same song the entire time? Is the five-headed wreath harpy on the album cover merging into a singular, yuletide Beelzebub? After so much dramatic singing to little-to-no music - often times dialed up to 11, in like John Williams' 'Duel of the Fates' territory,' you feel your brain melting down the back of your shirt.

Maybe I'm old-fashioned, but I think I'll just skip the acid and just stick to whiskey in my egg nog this Holiday Season, thank you very much. I'm too old for a long, strange trip like this.


VERDICT:  5/10 - Meh (Decent singing, as far as chorales go, but one can only take sooo much of this kind of art form in one sitting before questioning the reality of everything around them. And personally, I don't like it when the colors on my walls start speaking to me. . .)

- SHELVED -

- Brian

Monday, November 14, 2022

The Great Christmas Record Odyssey, Ep. XCII

Boys and girls of all ages, I present to you now the return of America's Greatest Yuletide Event:

The Great Christmas Record Odyssey.

By now, as we come into my eighth 'season' of documenting this is, you should all know how this works, but in case you need a refresher of this, one of my all-time favorite Holiday traditions, here's a run-down.

Since I first started collecting vinyl, back in 2005, I've gotten into the habit of hauling out all of my Christmas vinyl at the start of the Holiday Pre-Season (now-ish, mid-November) and stacking it up in 'staging' area.  Then, over the course of the next month and a half, I methodically listen to every, single album, scrutinizing the holy hell out of it.  The good ones stay in rotation, and are played repeatedly throughout the year.  The okay ones are put aside for future use, but lose their spot in the playlist for the rest of the season.  The bad ones are ridiculed to shreds and donated to the nearest thrift store at the earliest possible convenience.

And then I go through the entire process all over again the following year, armed with a new stack of Christmas vinyl to burn through.

Now, as this is the first installment in this year's season of vinyl reviewin', I'll once again direct your attention to the cherished rating scale we use around these parts:

10 - . . . And Out Come the Wolves (a symbol of perfection, and arguably one of the greatest albums made in the last thirty years)
9 - Cowabunga! (if it makes you want to shout like a Ninja Turtle, you know it's good.)
Awesome (worthy of repeated spins during the Holidays)
7 - Pretty Rad (generally, in order for an album of mine to stay in Holiday Season Rotation, it needs to be rated '7' and up.)
- Decent (once and awhile a '6' makes it into constant rotation, but only if it satisfies a previously-vacant Holiday music niche.  These albums almost always get 'Shelved':  I hold on to them - for the time being - but they lose turntable time for the duration of the Season.)
5 - Meh  (anything below this point is almost always put into my annual 'Donate to Goodwill' pile)
4 - Borophyll (there may be some redeeming qualities here that might make albums at this score appeal to some people, but definitely not Yours Truly.)
3 - Seriously? (comically bad, if you will.)
2 - Reality TV (there's only one thing shittier than Reality TV in my opinion, and that is. . .)
1 - Ohio (the Ninth Circle of Hell)

Good.  Now that everyone's been refreshed with how shit works around here, let's just go ahead and get started, shall we. . .

Album Title White Christmas
Album Artist:  Dennis Day Orchestra & Choir


I recently went into Radio Wasteland after a hiatus of nearly 10 months.  That's a long period of time, but one that was forced upon me by the fact that I've almost run out of record shelving for new albums, and, more importantly, the cost of vinyl over the last year has gone up astronomically.  

I, for one, refuse to spend $30 on a brand new LP. . . but that's a tale for another time, let's focus on Christmas jams this evening.  

Anyway, the whole reason I finally returned to my favorite record store was to get my grubby mitts on their collection of God-awful, Dollar Bin Holiday albums before society started hunting for Christmas music.  Jim, the owner of the store, usually makes a social media post towards the beginning of November advertising all the store's new and vintage Christmas releases, and I wanted to beat the rush this year.

Mission accomplished.

I walked out of his store with about 24 albums - which you'll have to suffer through over the course of the next couple years, I'm afraid - and this gem right here was among them.  I had already reviewed a good chunk of the artists I came across while digging through the Dollar Bin - many have had their moment in the spotlight on this Great Christmas Record Odyssey of ours - but I've never heard of this guy before.

Dennis Day.

At first glance, he looks like a pleasant, Burl Ives-ish sorta guy.  Jolly enough, but you know just by looking at him that he enjoys a whiskey and an off-color joke about 'an Oriental.'  I think it's the eyes - he definitely gives off vibes like he honestly wants to wish you a Merry Christmas, but if you wanna run your mouth like an asshole he has no qualms with putting his fist in it.  Dude probably served in a war (based on the dated packaging, I'm guessing it was The Big One), chain-smoked whatever he could get his hairy-knuckled hands on, and has a history of spousal abuse.

Still, the guy went out of his way to grab himself a brace of orphans for this picture.  The boy clearly doesn't mind sitting on Dennis' lap, but the girl doesn't seem thrilled with it.

Where the f*** is Dennis' hands?

Anyway, hokey packaging aside, this is a pretty bland affair from start to finish.  I was honestly hoping for something more comically bad than what we ended up with here:  Dennis can sorta sing, and the arrangements aren't terrible, per se (definitely heavy on the church organs, but the sound levels are at least mixed well.)  There's a choir doing background vocals, and they're subtle enough that you can never really tell if it's kids or women singing.  All in all, the non-religious songs on this album come across like just about anything else you'd hear coming out of the 1940s/50s, and the pipe organ-heavy, religious carols sound like they were performed during a church service.  Bland as beige paint and just as forgettable.

If anything, the most eyebrow-raising thing on this entire album is Dennis' voice - it does not match his appearance at all.  You'd think a dude looking like this would have a more booming or gruff voice, but he has this higher-pitched, softer voice (in that nasally, 1940s style, of course.)  While he can carry a tune without drawing anyone's ire, it wasn't expected and I'm kinda let down that we missed out on an opportunity for some classic, good ol' fashioned ridiculing.

Oh well, maybe next time.


VERDICT:  4/10 - Borophyll (Nothing overly terrible here, and I'm sure this could appeal to some folks, but the entire affair is bland and lacks any kind of redeeming qualities for Yours Truly.  You hurt my feelings, Dennis.)

- SHELVED -

- Brian