Time to cozy up to the fire and put on another slab of Holiday vinyl, America. . .
Album Title: A Merry Christmas to You
Album Artist: David Rose and His Orchestra
Again, straight out of the Bethesda stack we've been working through over the course of these last few posts, comes this offering from 'David Rose' and 'His Orchestra.' This one here didn't really stand out to me in the store, one way or the other: the artwork is 'meh,' not awesome and not overly-hokey or anything like that, I was honestly pretty underwhelmed by the selection.
But I mean, come on. . . 59 cents.
If anything, the fact that is said it was David Rose was pretty funny. I don't know if you guys watch Schitt'$ Creek or not, but David Rose (played by Eugene Levy's son) is a pretty hilarious character. If that dude came out with a Christmas album I'd probably buy it (though, him being gay and everything, it'd probably be a lot of cabaret-ish, glittery nonsense. . . like Elton John or Liberace.)
Anyway, this album totally blindsided me. This is a true orchestral record, not just saying '. . . and His Orchestra' like so many other albums do, and then featuring like a trombone, an accordion, a trumpet, a bass, and a piano. Nope, this is the full set-up, folks: string section, wind section, brass section, percussion section, you name it. I don't get many true orchestral albums pass through this Record Odyssey of mine, so when they do it's like a bolt of silver lightning on a clear day.
This album is good.
Gonna have to go out on a limb here and say this is bullshit. |
Have you ever sung a Christmas carol at church? There's like six frickin' verses to every song, they go on forever.)
If I had any criticisms, folks, it would be this: this orchestra doesn't hit the highs and lows of, say, Tchaikovsky's Nutcracker (one of the few other orchestral albums we've reviewed here over the years.) There's no dynamic forte sections here to speak of, as David Rose instead relies on dreamy, laid-back arrangements you might expect to find in a Christmas-themed Fantasia (if Disney ever produced a Christmas-themed Fantasia film back in the '50s.) So if the majority of your arrangements are middle-of-the-road - never hitting those highs and lows that you'd find in a traditional symphony, for example - it's probably awesome for, say, television (where you need consistent background music), but not necessarily for focused listening.
Yep. Another 'From Our Family to Yours' message. Jesus. . . |
I'd have to dock a couple points for that reason alone, folks. Is this a good album? Absolutely. Would it benefit from maybe upping the ante in parts? For sure. I've had several albums I've reviewed over the years that stumble into this trap - the entire album sounds the same, so that eventually it just bleeds away into the background. If you want to engage the listener, mix it up a little. The great songs on here are great, no question about it, but there's a heck of a lot of filler, as well as some songs that, while there's nothing necessarily wrong with them, per se, aren't easily recognizable. Rose is forced at some points to blend Holiday carols together with unique bits of melody in order to make them work, which is commendable, but since they're not recognizable you kinda don't get the Christmas-y vibe from 100% of this album.
So, as such, I'm going to have to officially state that this is a good record, that misses the opportunity to be great, which is regrettable. However, due to it's uncommon sound (orchestral medley arrangements), I think I'll keep it in rotation this year, and re-evaluate its position next season.
VERDICT: 6/10 - Decent (A good orchestral Christmas album, that gets docked a few points for being too repetitive and bland in parts. Also, being from the '50s and everything, it's practically falling apart - kinda thinking I need to reorder this one on Discogs.)
- REMAINS IN CIRCULATION -
- Brian
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